Set in a magical Victorian British Empire that never was, this unique fantasy blends adventure, intrigue, and romance, as a newlywed couple embark on a dangerous quest--and, in the process, discover their own heart's desires.
On a luxury magic carpetship in 1889, an English couple travel to Cairo for their honeymoon. Except for a brush with a dragon, the voyage is uneventful. But for Nigel Oldhall and his beautiful Indian-born bride, Emily, the holiday hides another purpose. Within hours of arriving in the teeming city, they are plunged into an extraordinary struggle among demons, murderers, and magic.
In Cairo, Nigel can no longer hide his secret from his wife: he is on a mission to rescue a ruby that will ensure Queen Victoria's hold on Africa forever. But the search has already swallowed up Nigel's older brother--and now it has put his own Emily in mortal danger. But is she the innocent Nigel imagines? Soon, separately and apart, the two will set off for the heart of the continent among conspirators and traitors, all seeking the ruby and the gifts and curses it offers them--and all of humankind....
From the Paperback edition.
Excerpts
From the book...
The Wedding Night"What is wrong?" Emily asked.
She sat, naked, on her bridal bed, the waves of her dark hair falling like a dusky veil over her golden shoulders and small breasts. Over it, wrapped around her, she clutched a multicolored flowered shawl, a legacy from her Indian grandmother.
Nigel, her husband of ten hours, stood at the foot of the bed, trying to arrange his blue dressing gown with shaking hands and only managing to twist it, so it hung askew and displayed a portion of his pale, muscular chest.
He had turned away from her, but she could see his face reflected in the full-length mirror. It showed a complexion splotched by sudden high color, pale blond hair on end where sweaty fingers had run through it again and again and gray-blue eyes animated with an odd passion and rimmed by red as if Nigel-Nigel!-were near tears.
Emily pulled her long legs up till her knees came right up to her pointed chin, and clutched her arms around them as she took a deep breath. It wasn't possible that Nigel would cry. Proper gentlemen didn't cry, and Nigel was as cool and collected as a gentleman could be.
"Have I done something?" Emily asked. Her voice wavered and trembled, sounding too childish in this sumptuous suite, all red velvet and heavy mahogany furniture. "Failed to do something?"
Nigel's back remained turned. He didn't seem to hear her. He was tying and untying his dressing gown as if it were the most important task in the world.
Emily wished to shout, to scream, to ask him what had happened and why. But proper young ladies didn't rail at their husbands. Instead, insecurity trembled in her voice as she said, "How did I fail you?"
"Fail?" Nigel's head jerked back at the word. He looked at her, startled, then quickly away.
"Mr. Oldhall," Emily said, making her voice as formal as she dared.
The family name, which she hadn't used since they'd become engaged, made him give her a look of undisguised horror. Emily felt blood rush to her cheeks, though she knew the blush would show only the color of sunset against her golden skin. "Nigel . . ."
Nigel pulled a packet of tobacco from a dressing gown pocket and a pipe from the other. "Yes?"
"No one ever told me what should happen on our marriage night." She paused. "My stepmother did tell me it was all worth it for the children, but . . ." Her voice floundered and she shook her head. "I have seen . . ." A deep breath to gather courage. "I was raised in my father's country house, Nigel. We had dogs and horses and . . ." desperately, trying to avoid being explicit, she said, "geese. And it seems to me the interaction between men and women cannot be all that different from what happens between . . . animals. Even horses and cats . . . and . . ." Deep breath. "Geese."
She glanced up to see Nigel staring at her, his mouth half-open, his face an odd mix of shock and amusement. Slowly, he turned and drew a long breath that echoed noisily in the room. Turning his back on her, he fumbled. She smelled tobacco and saw him, in the mirror, pushing shreds of it into the bowl of his pipe. He struck the flint to light the wick of his lighter, then lit his pipe and inhaled deeply. The lighter clicked closed and Nigel exhaled, a breath like a tremulous sigh forming a gray, aromatic cloud in the air in front of him. He put the lighter back in his pocket.
"I . . . I understand your disappointment," he said at last. He pulled a heavy draft from his pipe and expelled it in increasingly neater rings. "Emily, I do understand how in your innocence, you might believe something untoward has happened, or . . ." He cleared his throat, and a slight flush...
About the Creator
Sarah Hoyt was born in Portugal during the Cuban Missile Crisis. To make life more interesting, she was born severely premature, at the height of winter in an unheated stone house. She survived, and is glad to report that shes still surviving. She now lives in Colorado with one husband, two children and four cats. She likes dogs but cant afford to adopt eight of them.
She writes science fiction and fantasy for a living. She has published books from her Shifter series (Draw One in the Dark), her Musketeers Mysteries series as Sarah DAlmeida (Death of a Musketeer, The Musketeers Seamstress) and her Shakespearean Fantasy series (Ill Met by Moonlight). She is currently working on her Magical British Empire series, which includes Heart of Light, Soul of Fire and Heart and Soul, to be published by Bantam Spectra.